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Voices of the rainforest for flute (alto flute), cello and piano (2007) was written for the Meininger-Trio, who performed the premiere at the Ibero American Institute in Berlin on March 14, 2008, followed by a live broadcasted performance at the WDR Radio Station in Cologne, Germany, on March 15, 2008.
Voices of the rainforest is a loose representation of a day in the life of the rainforest in Papua New Guinea. This work came about as a result of my life-long fascination and love for nature and a request from Christiane Meininger. A recording of actual sounds of insects, barking frogs, birds, and the singing of natives of the Papua New Guinea rainforest was the final inspiration for this work.
I. Awakening – At first a mix of darkness and light, then slowly the light filters through the tall trees taking over the darkness, and the stillness begins to move. Birdcalls and the incessant metallic buzzing of insects mark the beginning of a new day. The natives call this part of the day ‘from morning night’ to ‘real morning’. The flute starts with a birdcall that will be an important structural element in this work. This movement leads without interruption to the second movement.
II. Sago gatherers – During the ‘afternoon darkening’ human voices appear in the forest. The Kaluli women in Papua New Guinea cut and collect ‘sago’, an essential food plant in their diet. They sing haunting monotonous calls inflected with irregular accents while they work. First is one voice, and then other voices join in like a cacophonous choir.
III. Evening rainstorm – “wind arrives, sounds explode”. Cicada calls, barking frogs and the insistent metallic buzzing of pulsing insects brings “afternoon darkening” and the arrival of the daily downpour, the wild wind, the random crash of weak branches, the sonic boom of thunder … a cacophony of sounds.
IV. Voices of ‘inside’ night –The expressiveness of the ‘alto flute’ reflects on the mystery of the rainforest night and the quiet sorrow of the creatures within.
V. Night spirits is an abstract representation of a ceremonial night-dance by which natives drive their dead (spirits) away. Hundreds of dancers run wildly to the edge of a central fire while the chorus sings a song, the dancers then move wildly, doing a circling dance around the fire until dawn, driving the spirits of the dead away and leaving the tribe in peace.
Elisenda Fábregas
Elena Firsova was born in Leningrad in 1950. She was trained at the Moscow Conservatory under Alexander Pirumov (composition), Yuri Kholopov (analysis) and Nikolai Raskatov (orchestration), and received private instruction from Edison Denisov and Philip Hershkovitz. In 1990 she was co-founder of the Russian Society for New Music (ASM) with Denisov and her husband Dmitri Smirnov. Elena moved to England in 1991 where she lives with her family and is active as a lecturer and free-lance composer.
Elena continues to develop the ideas of the Second Viennese School but treats the strictness of twelve-tone music freely, intentionally allowing for consonant sounds in the row formation and placing especial emphasis on melodic motifs. Her music has been performed by the London Sinfonietta conducted by Peter Eötvös, Concertgebouw Orchestra, Brodsky Quartet, Manchester Wind Orchestra, Schubert Ensemble, Freden Festival, BBC Proms and Expo 2000 (Hanover). Her music has been heard at the Bath Festival, the Almeida Festival, the South Bank Centre's Russian Spring Festival, and the Philharmonia Orchestra’s Music of Today series. Recent commissions include BBC Proms for the BBC Symphony Orchestra and the BBC National Orchestra of Wales. Her music is published by Boosey & Hawkes, Sikorski and Schirmer.
[compiled from Boosey & Hawkes, Sikorski and Wikipedia]
Laura Bowler is a young composer and mezzo-soprano living and working in London. Her work is influenced by many composers and artists ranging from Stephen Sondheim to Harrison Birtwistle, the paintings of Kandinsky to the theatre of Antonin Artaud. Her passion for working in the theatre is apparent in her compositional output with numerous theatre pieces alongside many concert works with a theatrical influence or performance quality. Laura is currently working on commissions for the BBC Symphony Orchestra as part of their new Embedded scheme with Sound and Music, a string quintet for the Kreutzer Quartet with double bassist Rachel Meerloo, a collaboration with the award-winning playwright Lavinia Murray; a long term project aiming towards a full-length chamber opera based on E. T. A. Hoffman's 'The Sandman' and a cello concerto for Oliver Coates and the Azalea Ensemble.
She has been commissioned by The Opera Group, ROH2, Tete a Tete Opera, Grimeborn Opera, London Sinfonietta, Esbjerg Ensemble, Neue Vocalisten Soloists, The Kreutzer Quartet among others and has received performances throughout Europe and in the USA. In the past Laura has been accepted as a scholarship student to several composition summer schools including the Voix Nouvelles Composition Course at the Fondation Royaumont with Brian Ferneyhough, the IMD Darmstadt summer school and the Dartington International Festival Advanced Composition course with Sir Peter Maxwell Davies.
Having completed her BMus (Hons) at the Royal Northern College of Music and as an Erasmus scholar at the Sibelius Academy of Music followed by her Masters in Composition at the Royal Academy of Music studying with Gary Carpenter generously supported by the Ralph Vaughan Williams Scholarship, she is now undertaking her PhD in Composition funded by the AHRC at the Royal Academy of Music.
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